Hands Like Claws

by Meatfeast

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1.
Somebody please put me down Where’s somewhere I can sign up? I would just bury myself But the dogs might dig me up I’ll drown myself in a bowl And prob’ly fail to drown “Back to work slave! Back to work!” Lets go run through long grass, (A passive way to get lashed) Cut off our hands and our feet Then go swim at the pool… I’ll drown myself in a bowl And prob’ly fail to drown “Back to work slave! Back to work!” Lie still… lie still… If maybe you tried hard enough, A void can be willed “Get up! You silly wet bitch!” I’m busy burning your stuff My stuff was not enough… I’ll sit here screaming your name To tell you “I’m OK”! I’ll drown myself my a bowl And prob’ly fail to drown “Back to work slave! Back to work!” What is the problem with you? Your sick is in my sandwich! I’d rather be on my own, To drown myself in my bowl I lay awake last night And learnt how not to fight “Back to work slave! Back to work!” Lie still… lie still… If maybe I tried hard enough, A void can be willed Stop... No Won't!
2.
Rat-at-at-at-at-at-at-at-a Rat-at-at-at-at-at-at-at-a Ziggi! Ziggi! Tiki! Tiki! ¡Puta! ¡Puta! ¡El qué te llama es 'Puta'! Soaking in a bath of death Shards of glass... such a bloody mess... Floating... I'm the Baphomet Social class... such a bloody mess... What? Where? What? Who? What? What? What? What? What? Huh? We're sowing something A seed so dark and deep Beneath our fingernails A Beaumont mystery Glen Benton's on the phone He wants to talk to thee Says he's the Caco-Daemon And you can't help but bleed

about

Meatfeast are a dark cocktail of absurd ideas, black humour, spasmodic aggression and strong melodies. Difficult to define, they could be considered Progressive / Avant-garde Metal or Post-hardcore. Deliberately drawing in a range of disparate influences within every song, the results are surreal musical montages.

'Hands Like Claws' is easily Meatfeast's strongest recording to date and goes a long way to defining their sound. A 2 track remix album is also available.

credits

released April 2, 2011

Produced by Tom Gittins at Monochrome Productions
www.monochromeproductions.com

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